Tucked in beneath a looming set of high-rise dormitory towers by Richard Neutra, the difficult corner site was a prominent determinant in the scheme for the ICA. The new structure fills in and holds the corner, acting as a lightweight foil to the more massive poured-in-place concrete background buildings.

Inside, two interconnecting levels of galleries work off the main lobby space and main access stair and are further connected by a ramp. The gallery lofts have different sections and offer a variety of natural and artificial lighting conditions as well as sectional views from one gallery into the next. Finishes inside are basic – painted concrete floors and drywall - and are appropriate for the demanding flexibility required for displaying modern art.

The building exterior is a departure for the University. It is a plainly modern building in its composition, weight and use of materials. It is also one of the first buildings on campus that opens up to the public. The large and largely glazed lobby opens out onto the street inviting the public in. It is a beacon of urbanity in an otherwise introverted campus, and in this it fulfills its important role as both a university and city institution.

The project had an ambitious schedule. The notice to proceed with design was issued in June, construction documents were started in September, and bids were let in December. Construction was completed 14 months later. The work was executed under a design-build contract with the University with Jacobs/Wyper, Architects, Adele Naude Santos, Associated Architects, and Barclay White, Inc., Construction Manager.